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	<title>JamsBio Magazine &#187; Brass Trax</title>
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	<link>http://magazine.jamsbio.com</link>
	<description>Your Life Through Music</description>
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		<title>New Release Round-up: Forge Your Own Slits</title>
		<link>http://magazine.jamsbio.com/2009/11/20/new-release-round-up-forge-your-own-slits/</link>
		<comments>http://magazine.jamsbio.com/2009/11/20/new-release-round-up-forge-your-own-slits/#comments</comments>
		<pubDate>Fri, 20 Nov 2009 17:31:02 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Featured Stories]]></category>
		<category><![CDATA[Ari Up]]></category>
		<category><![CDATA[Cymande]]></category>
		<category><![CDATA[Edan]]></category>
		<category><![CDATA[El Inolvidable]]></category>
		<category><![CDATA[Fania]]></category>
		<category><![CDATA[Forge Your Own Chains]]></category>
		<category><![CDATA[Inspiration Information]]></category>
		<category><![CDATA[Jimi Tenor]]></category>
		<category><![CDATA[MC Allonymous]]></category>
		<category><![CDATA[Ofege]]></category>
		<category><![CDATA[Tessa Pollitt]]></category>
		<category><![CDATA[The Slits]]></category>
		<category><![CDATA[Tito Puente]]></category>
		<category><![CDATA[Tito Rodriguez]]></category>
		<category><![CDATA[Tony Allen]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=50551</guid>
		<description><![CDATA[This week, we feature a batch of reissues and new albums that hone in on the groove, hearty listening for early winter that will keep you warm at night.]]></description>
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		<item>
		<title>The Pleasure of Pain Teens</title>
		<link>http://magazine.jamsbio.com/2009/11/13/the-pleasure-of-pain-teens/</link>
		<comments>http://magazine.jamsbio.com/2009/11/13/the-pleasure-of-pain-teens/#comments</comments>
		<pubDate>Fri, 13 Nov 2009 17:09:59 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Bliss Blood]]></category>
		<category><![CDATA[Cabaret Voltaire]]></category>
		<category><![CDATA[Chrome]]></category>
		<category><![CDATA[Culturcide]]></category>
		<category><![CDATA[Dry Nod]]></category>
		<category><![CDATA[Pain Teens]]></category>
		<category><![CDATA[Rusted Shut]]></category>
		<category><![CDATA[Scott Ayers]]></category>
		<category><![CDATA[The Mike Gunn]]></category>
		<category><![CDATA[Throbbing Gristle]]></category>
		<category><![CDATA[Turmoil in the Toybox]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=50061</guid>
		<description><![CDATA[Pain Teens sounded like Texas. The band took the tape manipulations, decontextualized vocal samples, and motorik beat of industrial music and wed it to something uniquely Texan: fuzz guitar psychedelia. ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>OOIOO: Armonico Hewa</title>
		<link>http://magazine.jamsbio.com/2009/11/10/ooioo-armonico-hewa/</link>
		<comments>http://magazine.jamsbio.com/2009/11/10/ooioo-armonico-hewa/#comments</comments>
		<pubDate>Tue, 10 Nov 2009 16:59:18 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Armonico Hewa]]></category>
		<category><![CDATA[Boredoms]]></category>
		<category><![CDATA[Emerson Lake & Palmer]]></category>
		<category><![CDATA[Flaming Lips]]></category>
		<category><![CDATA[Kila Kila Kila]]></category>
		<category><![CDATA[OOIOO]]></category>
		<category><![CDATA[Stereolab]]></category>
		<category><![CDATA[Taiga]]></category>
		<category><![CDATA[Tom Tom Club]]></category>
		<category><![CDATA[Yoshimi P-We]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=49481</guid>
		<description><![CDATA[The recent release of OOIOO's sixth studio album <em>Armonico Hewa</em> represents fresh evidence, if anybody needs it, that Yoshimi P-We's all-woman noise outfit is more than a Boredoms side project. ]]></description>
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		<slash:comments>0</slash:comments>
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		</item>
		<item>
		<title>Thelonious Monk: The Life and Times of an American Original</title>
		<link>http://magazine.jamsbio.com/2009/10/29/thelonious-monk-the-life-and-times-of-an-american-original/</link>
		<comments>http://magazine.jamsbio.com/2009/10/29/thelonious-monk-the-life-and-times-of-an-american-original/#comments</comments>
		<pubDate>Thu, 29 Oct 2009 17:01:10 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Bebop]]></category>
		<category><![CDATA[Count Basie]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[Fats Waller]]></category>
		<category><![CDATA[James P. Johnson]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[Nellie]]></category>
		<category><![CDATA[Nica]]></category>
		<category><![CDATA[Pannonica de Koenigswarter]]></category>
		<category><![CDATA[Robin D.G. Kelley]]></category>
		<category><![CDATA[Thelonious Monk]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=48321</guid>
		<description><![CDATA[Robin D.G. Kelley's massive new biography <em>Thelonious Monk: The Life and Times of an American Original</em> is first and foremost a demystification of the composer's life. Kelley, who holds a chair at the University of Southern California, spent 14 years researching the book, and it's the most comprehensive biography yet of its subject. ]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Action is Here! A Look at Rhino&#8217;s Latest Nuggets Triumph</title>
		<link>http://magazine.jamsbio.com/2009/10/18/where-the-action-is-los-angeles-nuggets-1965-1968/</link>
		<comments>http://magazine.jamsbio.com/2009/10/18/where-the-action-is-los-angeles-nuggets-1965-1968/#comments</comments>
		<pubDate>Mon, 19 Oct 2009 01:18:24 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Andrew Sandoval]]></category>
		<category><![CDATA[Arthur Lee]]></category>
		<category><![CDATA[Beach Boys]]></category>
		<category><![CDATA[Box Set Spotlight]]></category>
		<category><![CDATA[Brian Wilson]]></category>
		<category><![CDATA[Captain Beefheart]]></category>
		<category><![CDATA[Del Shannon]]></category>
		<category><![CDATA[Harry Nilsson]]></category>
		<category><![CDATA[Lee Hazelwood]]></category>
		<category><![CDATA[Lenny Kaye]]></category>
		<category><![CDATA[Monkees]]></category>
		<category><![CDATA[Randy Newman]]></category>
		<category><![CDATA[Rhino]]></category>
		<category><![CDATA[Sonny and Cher]]></category>
		<category><![CDATA[Standells]]></category>
		<category><![CDATA[The Byrds]]></category>
		<category><![CDATA[The Doors]]></category>
		<category><![CDATA[the Seeds]]></category>
		<category><![CDATA[Where the Action Is!: Los Angeles Nuggets (1965-1968)]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=47261</guid>
		<description><![CDATA[If the box set is about to die, at least it's going out with a bang. <em>Where the Action Is!</em> is one of the best designed box sets in the history of the product. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Sounds of Soft Machine</title>
		<link>http://magazine.jamsbio.com/2009/10/08/the-sounds-of-soft-machine/</link>
		<comments>http://magazine.jamsbio.com/2009/10/08/the-sounds-of-soft-machine/#comments</comments>
		<pubDate>Thu, 08 Oct 2009 14:22:39 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Brian Hopper]]></category>
		<category><![CDATA[Daevid Allen]]></category>
		<category><![CDATA[Faust]]></category>
		<category><![CDATA[Hugh Hopper]]></category>
		<category><![CDATA[Jimi Hendrix]]></category>
		<category><![CDATA[Kevin Ayers]]></category>
		<category><![CDATA[Krautrock]]></category>
		<category><![CDATA[Mike Ratledge]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[Pink Floyd]]></category>
		<category><![CDATA[Psychedelia]]></category>
		<category><![CDATA[Robert Wyatt]]></category>
		<category><![CDATA[Soft Machine]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=46561</guid>
		<description><![CDATA[Soft Machine was the product of the same remarkable cultural shift that gave us electric Miles Davis and Jimi Hendrix, the moment when the formalistic silos that held different genres of music suddenly collapsed and rock, jazz, blues, Indian music, and modern classical could mix with whatever happened to be on the turntable.]]></description>
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		<slash:comments>0</slash:comments>
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		</item>
		<item>
		<title>Cool Not To Be Cool: The Feelies Reissued</title>
		<link>http://magazine.jamsbio.com/2009/09/25/cool-not-to-be-cool-the-feelies-reissued/</link>
		<comments>http://magazine.jamsbio.com/2009/09/25/cool-not-to-be-cool-the-feelies-reissued/#comments</comments>
		<pubDate>Fri, 25 Sep 2009 16:41:44 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Bill Millions]]></category>
		<category><![CDATA[Feelies]]></category>
		<category><![CDATA[Lou Reed]]></category>
		<category><![CDATA[Peter Buck]]></category>
		<category><![CDATA[R.E.M.]]></category>
		<category><![CDATA[Rain Parade]]></category>
		<category><![CDATA[Robert Christgau]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[Thurston Moore]]></category>
		<category><![CDATA[Tom Verlaine]]></category>
		<category><![CDATA[Velvet Underground]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=45291</guid>
		<description><![CDATA[Somewhere along the way the Feelies became obscure. Relegated to the pantheon of rock "influences," bands who are known more for inspiring other, more famous bands than for their own work. It wasn't always that way. ]]></description>
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		<slash:comments>0</slash:comments>
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		</item>
		<item>
		<title>Brass Trax Essentials: Black Uhuru Sinsemilla</title>
		<link>http://magazine.jamsbio.com/2009/09/23/brass-trax-essentials-black-uhuru-sinsemilla/</link>
		<comments>http://magazine.jamsbio.com/2009/09/23/brass-trax-essentials-black-uhuru-sinsemilla/#comments</comments>
		<pubDate>Wed, 23 Sep 2009 17:15:56 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Black Uhuru]]></category>
		<category><![CDATA[Bob Marley]]></category>
		<category><![CDATA[Chris Blackwell]]></category>
		<category><![CDATA[Derrick Simpson]]></category>
		<category><![CDATA[Errol “Tarzan” Nelson]]></category>
		<category><![CDATA[Island Records]]></category>
		<category><![CDATA[Michael Rose]]></category>
		<category><![CDATA[Prince Jammy]]></category>
		<category><![CDATA[Rastafari]]></category>
		<category><![CDATA[Reggae]]></category>
		<category><![CDATA[Roots Reggae]]></category>
		<category><![CDATA[Sandra “Puma” Jones]]></category>
		<category><![CDATA[Sinsemilla]]></category>
		<category><![CDATA[Sly and Robbie]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=45001</guid>
		<description><![CDATA[Roots reggae ground breakers Black Uhuru existed, in name at least, before Michael Rose joined, but it was Rose’s honeyed voice and lyrical deftness that would come to define the band. ]]></description>
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		<slash:comments>0</slash:comments>
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		</item>
		<item>
		<title>Wilson Simonal&#8217;s Last Stand:  Olhaí, Balândro&#8230;É Bufo No Birrolho Grinza!</title>
		<link>http://magazine.jamsbio.com/2009/09/16/wilson-simonals-last-stand-olhai-balandro-e-bufo-no-birrolho-grinza/</link>
		<comments>http://magazine.jamsbio.com/2009/09/16/wilson-simonals-last-stand-olhai-balandro-e-bufo-no-birrolho-grinza/#comments</comments>
		<pubDate>Wed, 16 Sep 2009 16:34:35 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Balândro...É Bufo No Birrolho Grinza]]></category>
		<category><![CDATA[Black Rio]]></category>
		<category><![CDATA[Brazilian Music]]></category>
		<category><![CDATA[Gilberto Gil]]></category>
		<category><![CDATA[Highlife]]></category>
		<category><![CDATA[Jorge Ben]]></category>
		<category><![CDATA[MPB]]></category>
		<category><![CDATA[Olhaí]]></category>
		<category><![CDATA[País Tropical]]></category>
		<category><![CDATA[Samba]]></category>
		<category><![CDATA[Tim Maia]]></category>
		<category><![CDATA[Wilson Simonal]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=44651</guid>
		<description><![CDATA[<em>Olhaí, Balândro...É Bufo No Birrolho Grinza!</em> might have been the last shimmer of Wilson Simonal's brilliance before his artistic decline began to match the decline in his popularity.]]></description>
		<wfw:commentRss>http://magazine.jamsbio.com/2009/09/16/wilson-simonals-last-stand-olhai-balandro-e-bufo-no-birrolho-grinza/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Free Jazz Chanson: Brigitte Fontaine + Art Ensemble of Chicago</title>
		<link>http://magazine.jamsbio.com/2009/09/10/free-jazz-chanson-brigitte-fontaine-art-ensemble-of-chicago/</link>
		<comments>http://magazine.jamsbio.com/2009/09/10/free-jazz-chanson-brigitte-fontaine-art-ensemble-of-chicago/#comments</comments>
		<pubDate>Fri, 11 Sep 2009 02:11:46 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[AACM]]></category>
		<category><![CDATA[Areski Belkacem]]></category>
		<category><![CDATA[Art Ensemble of Chicago]]></category>
		<category><![CDATA[Brigitte Fontaine]]></category>
		<category><![CDATA[Chanson]]></category>
		<category><![CDATA[Comme A La Radio]]></category>
		<category><![CDATA[France Gall]]></category>
		<category><![CDATA[Free Jazz]]></category>
		<category><![CDATA[Leo Smith]]></category>
		<category><![CDATA[Malachai Favors]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=44221</guid>
		<description><![CDATA[It sounds like a musical trainwreck in the making or the set-up for a joke about the excesses of the avant garde. A French chanteuse and a Kabyle musician meet an Afrocentric American free jazz band on a stage in Paris. Chaos ensues? Au contraire.]]></description>
		<wfw:commentRss>http://magazine.jamsbio.com/2009/09/10/free-jazz-chanson-brigitte-fontaine-art-ensemble-of-chicago/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Annette Peacock&#8217;s Avant-R&amp;B</title>
		<link>http://magazine.jamsbio.com/2009/08/28/annette-peacocks-avant-rb/</link>
		<comments>http://magazine.jamsbio.com/2009/08/28/annette-peacocks-avant-rb/#comments</comments>
		<pubDate>Fri, 28 Aug 2009 20:54:51 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Airto]]></category>
		<category><![CDATA[Albert Ayler]]></category>
		<category><![CDATA[Annette Peacock]]></category>
		<category><![CDATA[Brian Eno]]></category>
		<category><![CDATA[Chris Spedding]]></category>
		<category><![CDATA[David Bowie]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Gary Peacock]]></category>
		<category><![CDATA[I'm the One]]></category>
		<category><![CDATA[Paul Bley]]></category>
		<category><![CDATA[Rick Morotta]]></category>
		<category><![CDATA[Steely Dan]]></category>
		<category><![CDATA[Steve Lacy]]></category>
		<category><![CDATA[Stu Woods]]></category>
		<category><![CDATA[Tom Cosgrove]]></category>
		<category><![CDATA[X-Dreams]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=42891</guid>
		<description><![CDATA[If jazz needed a Patti Smith, a frank and alluring wordsmith with an abiding love of rock and roll, it found one in Annette Peacock. Throughout the sixties and seventies, Peacock fused free jazz with rock, electronic music and poetry, developing an idiosyncratic artistic language that has rarely garnered the attention it deserved. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Iconic Free Jazz Drummer Rashied Ali Dies at 76</title>
		<link>http://magazine.jamsbio.com/2009/08/21/iconic-free-jazz-drummer-rashied-ali-dies-at-76/</link>
		<comments>http://magazine.jamsbio.com/2009/08/21/iconic-free-jazz-drummer-rashied-ali-dies-at-76/#comments</comments>
		<pubDate>Fri, 21 Aug 2009 19:30:23 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Albert Ayler]]></category>
		<category><![CDATA[Alice Coltrane]]></category>
		<category><![CDATA[Elvis Jones]]></category>
		<category><![CDATA[Free Jazz]]></category>
		<category><![CDATA[Interstellar Space]]></category>
		<category><![CDATA[Jimmy Garrison]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[Pharaoh Sanders]]></category>
		<category><![CDATA[Rashied Ali]]></category>
		<category><![CDATA[Sonny Rollins]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=42171</guid>
		<description><![CDATA[Ali will best be remembered as John Coltrane's drummer during the crucial late phases of his career when he all but abandoned traditional jazz forms for a freer, heavily improvised style that reflected his religious ambitions.]]></description>
		<wfw:commentRss>http://magazine.jamsbio.com/2009/08/21/iconic-free-jazz-drummer-rashied-ali-dies-at-76/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Remembering Jazz Pioneer George Russell</title>
		<link>http://magazine.jamsbio.com/2009/08/17/remembering-jazz-pioneer-george-russell/</link>
		<comments>http://magazine.jamsbio.com/2009/08/17/remembering-jazz-pioneer-george-russell/#comments</comments>
		<pubDate>Mon, 17 Aug 2009 20:04:14 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Archie Shepp]]></category>
		<category><![CDATA[Art Farmer]]></category>
		<category><![CDATA[Bill Evans]]></category>
		<category><![CDATA[Can]]></category>
		<category><![CDATA[Cecil Taylor]]></category>
		<category><![CDATA[Charlie Parker]]></category>
		<category><![CDATA[Dizzy Gillespie]]></category>
		<category><![CDATA[Fats Waller]]></category>
		<category><![CDATA[Free Jazz]]></category>
		<category><![CDATA[George Russell]]></category>
		<category><![CDATA[Gil Evans]]></category>
		<category><![CDATA[Gunther Schuller]]></category>
		<category><![CDATA[Jan Garbarek]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[John Coltrane]]></category>
		<category><![CDATA[Jon Hendricks]]></category>
		<category><![CDATA[Karlheinz Stockhausen]]></category>
		<category><![CDATA[Kind of Blue]]></category>
		<category><![CDATA[Living Time Orchestra]]></category>
		<category><![CDATA[Lydian Scale]]></category>
		<category><![CDATA[Max Roach]]></category>
		<category><![CDATA[Michael Karoli]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[Modal Jazz]]></category>
		<category><![CDATA[Steve Swallow]]></category>
		<category><![CDATA[Sun Ra]]></category>
		<category><![CDATA[Terje Rypdal]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=41231</guid>
		<description><![CDATA[George Russell, the man who freed jazz, died last month at the age of 86. If his obituaries are anything to go by, Russell will be remembered more keenly for his contributions to jazz music theory than his own compositions, which will be a shame. Russell, a pianist, composer, and arranger, came up with the theoretical basis for modal jazz, but he made some fantastic music, too.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Pathways to Unknown Worlds: The Afrofuturism of Sun Ra</title>
		<link>http://magazine.jamsbio.com/2009/08/10/pathways-to-unknown-worlds-the-afrofuturism-of-sun-ra/</link>
		<comments>http://magazine.jamsbio.com/2009/08/10/pathways-to-unknown-worlds-the-afrofuturism-of-sun-ra/#comments</comments>
		<pubDate>Mon, 10 Aug 2009 16:13:28 +0000</pubDate>
		<dc:creator>Rick Sawyer</dc:creator>
				<category><![CDATA[Brass Trax]]></category>
		<category><![CDATA[Afrofuturism]]></category>
		<category><![CDATA[Anthony Elms]]></category>
		<category><![CDATA[Arkestra]]></category>
		<category><![CDATA[Claude Dangerfield]]></category>
		<category><![CDATA[El Saturn]]></category>
		<category><![CDATA[George Clinton]]></category>
		<category><![CDATA[Hyde Park Art Center]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[John Corbett]]></category>
		<category><![CDATA[Lucy Gibson]]></category>
		<category><![CDATA[Nation of Islam]]></category>
		<category><![CDATA[Phil Niblock]]></category>
		<category><![CDATA[Philadelphia Institute of Contemporary Art]]></category>
		<category><![CDATA[Sonny Blount]]></category>
		<category><![CDATA[Sun Ra]]></category>
		<category><![CDATA[Supersonic Jazz]]></category>
		<category><![CDATA[Terri Kapsalis]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=40561</guid>
		<description><![CDATA[It was more than just jazz for Sun Ra. The pianist and band leader created a total, collaborative artwork that comprised his music, his album covers and iconography, his band and its costumes, his record label, and even his public and private persona. ]]></description>
		<wfw:commentRss>http://magazine.jamsbio.com/2009/08/10/pathways-to-unknown-worlds-the-afrofuturism-of-sun-ra/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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