 Norah Jones: The FallBy
JBev
With Norah Jones’ The Fall, there may be a few more guitars and drums tossed into the mix this time around in the place of her piano, but this is still music that attempts to resonate without ever getting in your face.  Weezer: RaditudeBy
JBev
On Raditude, Weezer attempts to stuff the entire album with possible singles. It’s never dull, but often shallow.  Mission of Burma: The Sound, The Speed, The LightBy
Dryw Keltz
Mission of Burma’s reunion hot streak continues with the powerful The Sound, The Speed, The Light.  Flaming Lips: EmbryonicBy
Dryw Keltz
The title of the new Flaming Lips album, Embryonic, refers to how most of the songs were recorded during the very early stages of their creation. The result is an album which sounds completely foreign to what the band has been releasing since 1999’s The Soft Bulletin.  R.E.M.: Live at the OlympiaBy
JBev
R.E.M. revisits past glories with an inspired 39-song live set that features new material alongside some of the band’s deepest, most enduring album cuts from the ’80s.  Polvo: In PrismBy
Dryw Keltz
Another year and another absolutely pristine reunion album from a seemingly left for dead 90’s alt-rock casualty. The band reborn this time is math-rock vets, Polvo.  The Swell Season: Strict JoyBy
JBev
There are many ways for musical artists to break it big these days, but winning an Academy Award might be the most unorthodox of all. That’s the path that Glen Hansard and Marketa Irglova took. The two hooked up to star in the indie film Once two years ago, and the rest is history.  Jay Farrar and Ben Gibbard Collaborate with KerouacBy
JBev
On the album, One Fast Move Or I’m Gone, Jay Farrar takes snippets from Big Sur, rearranges them a bit, and then adds the music. He asked Gibbard aboard to share the vocals. |
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