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	<title>JamsBio Magazine &#187; 1978: The Year After Punk</title>
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	<description>Your Life Through Music</description>
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		<title>An Interview with Larry Fast of Synergy</title>
		<link>http://magazine.jamsbio.com/2009/03/27/an-interview-with-larry-fast-of-synergy/</link>
		<comments>http://magazine.jamsbio.com/2009/03/27/an-interview-with-larry-fast-of-synergy/#comments</comments>
		<pubDate>Fri, 27 Mar 2009 05:05:33 +0000</pubDate>
		<dc:creator>Brian Castleberry</dc:creator>
				<category><![CDATA[1978: The Year After Punk]]></category>
		<category><![CDATA[Aphex Twin]]></category>
		<category><![CDATA[Brian Eno]]></category>
		<category><![CDATA[Cords]]></category>
		<category><![CDATA[Depeche Mode]]></category>
		<category><![CDATA[Electronic Music]]></category>
		<category><![CDATA[Gary Numan]]></category>
		<category><![CDATA[Human League]]></category>
		<category><![CDATA[Larry Fast]]></category>
		<category><![CDATA[Lou Reed]]></category>
		<category><![CDATA[Nektar]]></category>
		<category><![CDATA[Peter Gabriel]]></category>
		<category><![CDATA[Talking Heads]]></category>
		<category><![CDATA[Tangerine Dream]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=20231</guid>
		<description><![CDATA[Synergy's <i>Cords</i> marries Larry Fast's incredible compositional skill with the synthesizer to a driving pop format. This final touchstone in our brief review of important 1978 recordings is yet another key entry in the history of electronic music during its most experimental and free-thinking heyday.]]></description>
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		<title>Pt. 4: Prince Comes For You</title>
		<link>http://magazine.jamsbio.com/2008/11/14/1978-the-year-after-punk-pt-4-prince-comes-for-you/</link>
		<comments>http://magazine.jamsbio.com/2008/11/14/1978-the-year-after-punk-pt-4-prince-comes-for-you/#comments</comments>
		<pubDate>Fri, 14 Nov 2008 06:10:09 +0000</pubDate>
		<dc:creator>Brian Castleberry</dc:creator>
				<category><![CDATA[1978: The Year After Punk]]></category>
		<category><![CDATA[digg]]></category>
		<category><![CDATA[Bowie]]></category>
		<category><![CDATA[For You]]></category>
		<category><![CDATA[George Clinton]]></category>
		<category><![CDATA[Prince]]></category>
		<category><![CDATA[Prince Rogers Nelson]]></category>
		<category><![CDATA[Queen]]></category>
		<category><![CDATA[T. Rex]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=6461</guid>
		<description><![CDATA[As the conservative movement took hold of American political life in the late 70s and early 80s, a prime target for right-wing vitriol was the sexual freedom that characterized post-60s America. Associated in the minds of right-wing Christians with left-wing thinking, homosexuality, urban environments and any number of minority groups out of favor with the [...]]]></description>
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		<title>Part 3: Ode to Street Hassle</title>
		<link>http://magazine.jamsbio.com/2008/10/24/part-3-ode-to-street-hassle/</link>
		<comments>http://magazine.jamsbio.com/2008/10/24/part-3-ode-to-street-hassle/#comments</comments>
		<pubDate>Fri, 24 Oct 2008 05:20:23 +0000</pubDate>
		<dc:creator>Brian Castleberry</dc:creator>
				<category><![CDATA[1978: The Year After Punk]]></category>
		<category><![CDATA[digg]]></category>
		<category><![CDATA[Iggy Pop]]></category>
		<category><![CDATA[Lou Reed]]></category>
		<category><![CDATA[MC5]]></category>
		<category><![CDATA[New York Dolls]]></category>
		<category><![CDATA[Punk]]></category>
		<category><![CDATA[Street Hassle]]></category>
		<category><![CDATA[Velvet Underground]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=5941</guid>
		<description><![CDATA[In the midst of all the punk-rock press excitement of New York in 1978, Lou Reed could have easily ridden the new sound to re-newed superstar status. He had, after all, been the single most important figure in the Manhattan underground rock scene for a decade already.]]></description>
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		<title>Part 2: The Moog Joins Tubeway Army</title>
		<link>http://magazine.jamsbio.com/2008/10/12/part-2-the-moog-joins-tubeway-army/</link>
		<comments>http://magazine.jamsbio.com/2008/10/12/part-2-the-moog-joins-tubeway-army/#comments</comments>
		<pubDate>Mon, 13 Oct 2008 00:40:23 +0000</pubDate>
		<dc:creator>Brian Castleberry</dc:creator>
				<category><![CDATA[1978: The Year After Punk]]></category>
		<category><![CDATA[digg]]></category>
		<category><![CDATA[Blade Runner]]></category>
		<category><![CDATA[Gary Numan]]></category>
		<category><![CDATA[Moog]]></category>
		<category><![CDATA[post-punk]]></category>
		<category><![CDATA[Synthesizer]]></category>
		<category><![CDATA[Tubeway Army]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=5671</guid>
		<description><![CDATA[Few artists garner such a schizophrenic critical reception as Gary Numan, frontman of the post-punk group Tubeway Army. Even Numan fans seem to despise and revere him at the same time.]]></description>
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		<title>Talking Heads Talk About Building and Food</title>
		<link>http://magazine.jamsbio.com/2008/10/06/1978-the-year-after-punk-part-1-talking-heads/</link>
		<comments>http://magazine.jamsbio.com/2008/10/06/1978-the-year-after-punk-part-1-talking-heads/#comments</comments>
		<pubDate>Mon, 06 Oct 2008 15:44:21 +0000</pubDate>
		<dc:creator>Brian Castleberry</dc:creator>
				<category><![CDATA[1978: The Year After Punk]]></category>
		<category><![CDATA[digg]]></category>
		<category><![CDATA['78]]></category>
		<category><![CDATA[1979]]></category>
		<category><![CDATA[Al Green]]></category>
		<category><![CDATA[David Byrne]]></category>
		<category><![CDATA[Elvis Costello]]></category>
		<category><![CDATA[Gary Numan]]></category>
		<category><![CDATA[Johnny Rotten]]></category>
		<category><![CDATA[Larry Fast]]></category>
		<category><![CDATA[Lou Reed]]></category>
		<category><![CDATA[post-punk]]></category>
		<category><![CDATA[Prince]]></category>
		<category><![CDATA[Punk]]></category>
		<category><![CDATA[Ramones]]></category>
		<category><![CDATA[Sex Pistols]]></category>
		<category><![CDATA[Simon Reynolds]]></category>
		<category><![CDATA[Synergy]]></category>
		<category><![CDATA[Talking Heads]]></category>

		<guid isPermaLink="false">http://magazine.jamsbio.com/?p=5501</guid>
		<description><![CDATA[If ’77 was the year British and American punk rockers challenged the status quo, 1978—the year after punk—was a more complicated time. First of all, music producers, record companies and radio stations were frothing at the mouth for something new after the surprise popularity (and infamy) of groups like the Ramones and Sex Pistols. Deals [...]]]></description>
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