Artist Spotlight

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Arthur Russell has a back story that a French novelist would love. A gay man from rural Iowa who moved from one metropolis (San Francisco) to another (New York City), following an artistic lodestar (Allen Ginsburg), harboring his own secret genius that would move people to tears one moment and be forgotten the next, ending with an obscure and tragic death (from AIDS).

Russell’s talent encompassed and surpassed the forms of disco and dance music that pervaded New York in the 80s. His story is inextricable from that musical moment, but completely irreducible to it. He could rock a dancefloor, but he could also expand your mind with his obsessive, homemade cello art songs. Here are five tracks to give you a taste of what Russell could do.

“Is It All Over My Face”

Arthur Russell

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“Is it All Over My Face” wasn’t Arthur Russell’s first foray into disco, that would be “Kiss Me Again,” which he recorded as Dinosaur L, but it is his most enduring. Russell had been drawn to the diverse, egalitarian, and freewheeling world of New York’s discos in the seventies. Legendary DJ Nicky Siano noticed Russell on the dancefloor — he was a small, awkward man — and made him a protege. “Is it All Over My Face” is dirty; in Siano’s predominately gay loft party, the double entendre was not lost. But the tune also has a comfortable and goofy groove. It’s the sort of song any geek can dance to.


“Is It All Over My Face (Female Vocal Version)”

Arthur Russell

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Larry Levan’s Paradise Garage was where underground disco ended up after its earlier mavens got hooked on drugs and DJ residencies. Levan’s Garage represented everything that was good about NYC’s nightlife. Everybody was welcome, the freakier the better. Levan smoothed down “Is it All Over My Face,” bringing the drums to the front and dropping out the horn blasts. The result is a grimy, throbbing sure shot that you can mix with anything.


“Go Bang”

Dinosaur L

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Russell started Sleeping Bag records in 1981 with William Socolov and Juggy Gales. Kurtis Mantronik, the pioneering electro producer, served as A&R. If Sleeping Bag needed a tent, it was the Paradise Garage, for which it was practically an in-house label. Russell’s first effort for the label, an EP called “24/24 Music,” featured this gem, which ruled dancefloors throughout the early eighties.


“Wax the Van”

Arthur Russell World of Echo

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World of Echo was Russell’s masterpiece; a full-length, experimental pop album produced by microtonal composer Phil Niblock. Released in 1986 to a positive reception, it was the first taste audiences had of Russell’s haunting wail and fluid sense of melody.


“Let’s Go Swimming”

Arthur Russell World of Echo

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“Let’s Go Swimming,” from World of Echo, features Russell sawing away on the cello, his favorite instrument. Each scratch of the bow opens a new horizon of sonic space against which Russell’s voice floats like a parachutist drifting over a sea of broken glass. He will land, you know, but it won’t be pretty.


 

Click here to read about Love is Overtaking Me, the new compilation of unreleased Arthur Russell tracks


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baconfat said:

i really think you could’ve dropped one of the versions of “is it all over my face?” for “a little lost”. such a vital song in his oeuvre.



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