Album Art Spotlight

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(Page 3 of 3)

Matching Mole

Matching Mole’s Little Red Record
Matching Mole (1972)

A prog rock supergroup featuring the best of the Canterbury scene, including Robert Wyatt (of Soft Machine) and David Sinclair (of Caravan). The album title is a play on Mao’s “Little Red Book” and the cover illustration mimics the design of Communist propaganda posters coming produced in China during the Cultural Revolution.


Harmonium

Si on avait besoin d’une cinquième saison (If We Needed a Fifth Season)
Harmonium (1972)

Hailing from Quebec, Harmonium started out playing with a folkier style before becoming a full-fledged prog band with The Five Seasons album (as it’s sometimes referred to). The gorgeous album illustration, depicting the band in some sort of Eden and featuring sun-soaked vibrant colors, is best enjoyed in the full gatefold glory, as depicted here.


Mars Volta: Frances the Mute

Mars Volta: Widow
Frances the Mute
The Widow

Mars Volta (2005)

Formed from the ashes of hardcore band, At The Drive-In, Mars Volta is a powerhouse modern prog band that incorporates a healthy dose of punk along with jazz and Latin music. Frances the Mute, the band’s second album, was inspired by late sound technician Jeremy Ward, who found a diary in a car he repossessed while working as a repo-man. Each track of the album is loosely based on characters described within the diary. This would explain the eerie album cover. The Widow is for the single of the same name and is just too cool not to include.


Hawkwind

Space Ritual
Hawkwind (1973)

The quintessential “space rock” band, Hawkwind worked closely with graphic designer Barney Bubbles on both the album art and the live audio-visual experience that accompanied their live conceptual shows. The original double vinyl release of Space Ritual was elaborately packaged in a 3×2 panel foldout with multiple illustrated panels.


Tool: Lateralus

Tool: 10,000 Days
Lateralus
10,000 Days

Tool (2001, 2006)

Tool is a wildly popular progressive metal band who has sold over 13 million records despite the lack of widespread radioplay. The band set a new standard for amazing graphic design and their great taste is evident in every aspect of their output, from album artwork and live shows to music videos and merchandising. Both Lateralus and 10,000 Days were created with the help of artist, Alex Grey. The latter album’s packaging features a pair of stereoscopic lenses for viewing 3-D artwork and photos.


Opeth

Still Life
Opeth (1999)

Where Swedish death metal meets prog rock. The album cover for Opeth’s 1999 release Still Life has a beautiful painterly quality to it that exudes a sadness that is palpable. The red glow jumps off the sleeve and really sets of the image of the cloaked woman weeping in front of the gravestone.


Create a list of your favorite Prog Rock Album Covers HERE

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Comments (38)

Add a Comment
COMMENTS (38)
brian said:

This piece breaks my heart, it is so totally awesome.

How could you have missed ‘In the Court of the Crimson King’? Special kudos for Wish You Were Here and Selling England by the Pound…

Top post!

Adam said:

Oh god, not the Mars Volta. That album cover is all that album has going for it.

It’s great though, I guess, if you define prog-rock as

“YEEAAAAAHHH BLAH BLAH CACOPHONY ALTRUISTIC SINTHASOMPHONE SCARAB VESPA CRAWDAD NITROPHENYLENEDIAMINE CATARACT SYZYGY METAPHYSICAL ALBATROSS NOMENCLATURE LATIN WORD LATIN WORD SPANISH SPANISH SPANISH PART ONE TWO THREE YEEEAAAAHHH DURRRRRR *18 minute guitar solo/drum solo/bass solo/keyboard solo/other guitar solo/other drum solo/funny sounds solo MORE GOOFY WORDS FROM A THESAURUS WRITTEN FOR LIT MAJORS BEEP BOP BOOP FIELD RECORDINGS AND THEN TWELVE MORE SOLOS the end”

Schahryar said:

Ya!! Awesome!

Bernard said:

No Rush album !?

Thos Weatherby said:

How about “Weasels Rip My Flesh”.

By fz

Mark said:

“Weasels Ripped My Flesh” is the correct title.
And pretty much any album from Uncle Frank and the Mothers would fit in this list.

adam's mom is a cunt said:

hey adam, i’m so glad you’re here to spew your inspiring opinions. go fuck yourself, the mars volta is prog.

adam's mom said:

hey adam, you’re wrong!

phil said:

No Magma?

frances said:

@ adam

Right. and i suppose de loused was SO much better, and mars volta have been going down hill since then right?
why dont you go read some more pitchfork, listen to some more sonic youth, and then go suck a fat one, because yor SO right you hipster fuck

Kristian said:

to adam: I gotta say, I love the mars volta and i thought your comment was fuckin HILARIOUS(Im still laughin about it). I think they are very talented but your description was so dead-on…bloody brilliant. TMV are a pretty complex band only understood/appreciated by some. To everybody else, it doesn’t matter if you not everybody likes TMV (or any band for that matter), i like their music BECAUSE only certain people like it. Chill

Erik said:

Awesome list, I especially loved the ELP album art by H.R. Giger. Although I’ve never seen that cover, I instantly knew it was his. Giger’s style is all his own. Another album with stunning cover art is Hawkwind’s “Hall of the Mountain Grill.”

Mark said:

@ Jim Iffondu

How could you have missed the “go to page 2 >>” button?

tor schjølberg said:

i think a gentle giant or/and van der graaf generator album artwork should been mentioned. f. eks pawn hearts (vdgg) and octopus (gg).

shawn said:

and most prog does suck. when it’s great it is unbelievable but most is in fact bullshit and has no value for the masses.

Howard said:

“but most is in fact bullshit and has no value for the masses.” ahhh of course because music should be made for the masses, in a watered down fashion so that everyone can sing along.. which is necessary when trying to make as much money as possible as an “artist”. Why would personal expression and style have ANYTHING to do with music??? Come on guys!!! We’ve all had the same lives and experiences, so why the FUCK would anyone want to come out with something that’s somewhat original sounding??? You all know DAMN WELL music should be made to please the potential listener and NOT the artist. STOP ROCKING THE BOAT!!!!

for those of you who dont speak english, or are simply fucking morons, this was sarcastic.

and for the record i dont like ANY of this music, i stumbled this

..ok i lied i like ELP’s Karn Evil 9, 1st movement

Rick Astley said:

We’re no strangers to love
You know the rules and so do I
A full commitment’s what I’m thinking of
You wouldn’t get this from any other guy
I just wanna tell you how I’m feeling
Gotta make you understand
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
We’ve know each other for so long
Your heart’s been aching
But you’re too shy to say it
Inside we both know what’s been going on
We know the game and we’re gonna play it
And if you ask me how I’m feeling
Don’t tell me you’re too blind to see
Never gonna give you up
Never gonna let you down
Never gonna run around and desert you
Never gonna make you cry
Never gonna say goodbye
Never gonna tell a lie and hurt you
(Repeat Chorus)
Give you up, give you up
Give you up, give you up
Never gonna give,
Never gonna give, give you up
Never gonna give,
Never gonna give, give you up
(Last four lines repeat)
I just wanna tell you how I’m feeling
Gotta make you understand
(Chorus times three)

Max Greinleib said:

I saw atomic Rooster in concert once in Indianapolis at the now derelect baseball stadium. This was I think 1970 they were no doubt the loudest band of their time.they used some kind of a synthesiser also an innovation.I remember that a huge glass bong was passed around withen sight of the intimidated rental cops, and some crazed stoner crawled inside one of the immense speakers-when the band would hit a chord his hair would blow as if in a hurricane. Im sure his eardrums were destroyed.

quadropus said:

No Rush? Surely Hemispheres or the artwork from Counterparts are good enough to be included on here?

Joe Pike said:

Getting Rick Rolled in the comments section is possibly the dumbest thing I have ever seen online. I quit.

amy said:

I think you’ve been Rick-rolled.

Thanks!

Benimus said:

You missed the best of all!!

Lateralus by Tool!!

Toni Caponi said:

Osibisa !

TOni CapOni said:

The Flock Dinosaur Swamps !

Music said:

Wow, thanks

nicobeat said:

COMUS – first utterance. its a great cover

Desserts said:

nice!

aias said:

hahaa.. cool .. my parents have that ELP album i always found it a little creepy.

Starcasm said:

The Faust one is my fav.

Now, back to making fun of people at Starcasm.net

yahooserious said:

No Rush? No Dream Theater? No Kansas? …well ok I’ll forgive that omission.

Danny said:

The Tool album covers are really genius. I love the Lateralus one when you’re flicking through it the word GOD appears in the brain. Some sort of statement?

Davidb said:

Good to see Faust there. Ive got that sleeve.

Hello,
I have noticed, that, Ege Bamyasi cover is quite interesting, as Ege is a region in Turkey, and Bamya is the vegetable shown in the picture.
“Ege Bamyasi” means “Okra of Ege”.
So perhaps they took a picture of a can of the okra of Ege, and named their album.

Peter said:

these bands are good but the album art’s not very good in comparison to some stuff out there that actually would blow people’s minds

Kevin MacNutt said:

In the comment that Firtina made about the Can album cover is exactly correct. Actually the cover, if I remember my Can history correctly, is an exact facsimile of the actual can of Turkish okra which was chosen because it actually said Can on the top. The cover is so great because it is a very Warhol inspired concept without any connection with Warhol himself (although I would not doubt Warhol would have owned a Can album in his time).

Aumgn said:

While this might make me quite unpopular here, I have to say, I thought the exact same thing that Adam did upon seeing the Mars Volta albums. I often commented that the only difference between the cacophony of Lou Reed’s “Metal Machine Music” and Mars Volta is Lou Reed spared us from the technoflash guitar noodling and the “look what I can do” drum solos. As for the lyrics, perhaps they should have changed them so something like “We are clever, look how clever we are, didn’t we tell you we were clever, we can speak several languages, multi-syllabic palindromes for the eggheads in the crowd.” That would be a level of honesty I could finally repect them for.

And the lack of Kansas and Rush? Hmmmm…try the page that features Foreigner, Bad Company, Star Castle and Ambrosia. Kansas and Rush belong there, not with prog.



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