Album Review

Chris Koza’s newest album, “The Dark, Delirious Morning,” consists of a mix of indie, folk and pop music that is funky and fresh.

Based in Minneapolis, Koza, who sings and plays acoustic guitar, has various band members that he tours with — all with a variety of instruments including percussion, violins, upright bass guitars, glocks, electric guitars and keys.

Koza, influenced by artists such as Andrew Bird, Rufus Wainwright and Ben Folds, begins his tour on July 31, in Edina, Minnesota and stays on the road until August 23, in Minneapolis.

All of his music is worth a listen. His previous two albums — “Patterns” (2006) and “Exit Pesce” (2004) — are just as good as “The Dark, Delirious Morning,” however, the latter is a more mature sound. The music is the same, but Koza has definitely grown as an artist.

It might take a listen or two to really appreciate it, but play to track five, “Adjust,” right away. It’s a feel-good song — something you can tap your toes to. Also, listen to track one, “The Dark, Delirious Morning”, especially if you’re into folk music. It’s nothing too hokey, it’s just something to put a smile on your face.

“Over The Clouds, Under The Weather,” is just the opposite of “The Dark, Delirious Morning.” This ballad only contains a piano and some percussion. The simplicity is what makes it great listening at home or in the car. These two songs shows the range of styles that Koza was most likely aiming for on this album.

As for the song “Salt,” the lyrics will capture your heart. “Sitting in the bathtub / watching the water drain.” It’s almost as if you can picture yourself doing just that.

That’s what is ultimately great about this album. Koza’s music is real. If you can put yourself in a song, Koza is doing his job right.

No Comments »